Leonidas! The Hero of Thermopylae. In 480 BC he would defy an army half a million strong.
But who was he?
The Leonidas Trilogy tells his story in three novels. From his boyhood in the infamous Spartan agoge to the final stand of the 300 at Thermopylae, I have sought to bring Leonidas and his wife Gorgo to life. To explain them. To understand them. To give them substance and spirit.
This is Sparta! As you've never seen it before. The Leonidas Trilogy - A Video Teaser.
Leonidas and the Kings of Sparta: Mightiest Warriors, Fairest Kingdom by Alfred S. Bradford is in contrast about the history of Sparta from its founding to its ignominious end. Here's my commentary:
Leonidas and the
Kings of Sparta by Alfred S. Bradford – A Review
It is human nature that reactions are often governed by
expectations, so my disappointment with Alfred S.
Bradford’s history of Sparta, Leonidas
and the Kings of Sparta: Mightiest Warriors, Fairest Kingdom, was largely my
own fault. The title and jacket
description, not to mention Bradford’s qualifications as a professor of ancient
history at the University of Oklahoma, led me to expect too much. I had hoped
for a work that provided insight on the role of Sparta’s kings in Sparta’s
long history, perhaps an analysis of evolving constitutional conflict between
the kings, the Gerousia, Assembly, and Ephors. Certainly, I hoped for some new, unfamiliar descriptions and details about the personalities of Sparta’s
most famous kings.
Instead, Bradford has done little more than collect the
familiar stories told about Sparta from a wide range of sources and line them
up in chronological order. Even this is
a tall order, and Bradford is to be commended for having covered nearly a
thousand years of history in just 226 pages without for a moment dropping the
pace or losing direction. Also to be applauded is Bradford’s care to mention
Sparta’s literary and artistic achievements, and his even-handed treatment of
the Peloponnesian War. Altogether, his
commentary improved in quality with the quality of his (later) sources.
Equally important, Bradford appears to pride himself on his
accessibility, and this book is written in an easy modern style that will
certainly make it just that to readers looking for an easy introduction to
Spartan history. In fact, I suspect that Bradford’s intended audience was not
fellow scholars, but rather young people coming to the topic of Sparta for the
first time. If this is correct, then his
book is a valuable contribution to Spartan history as a transition from comic
books and fantasy to serious scholarly works on Sparta.
In this context, I found Bradford’s occasional personal
comments perfectly appropriate and engaging. Throughout the book, I sensed his
genuine interest in his topic and respect for his subjects. That in itself is
very refreshing, and I came away feeling like I’d like to meet Bradford one day
and spend an afternoon talking in an outdoor café on the main street of modern
Sparti – exchanging views, arguing, laughing – and toasting the memory of the
dead.
If am correct and Bradford was writing for an audience
without previous knowledge and only superficial interest in Sparta, I image he
did not want to “bore” his reader with conflicting theories. Nevertheless, I
must admit I was put off by Bradford’s blithe disregard for differing
opinions and his failure to admit any uncertainty about interpretation of evidence. Although much
of the information Bradford presents is highly controversial, Bradford rarely
even mentions alternative theories, much less
conflicting opinions.
Equally disturbing, Bradford boldly states his opinions as
if they are indisputable fact. For
example, he states on page 70 that “Ariston was extremely popular….”
Interesting. I’d like to know how he
knows that as I’ve never read this in any other source. It might be
true, of course, I don’t claim to have seen every source on Sparta, and, if
true, it would be very significant. Unfortunately, Bradford tells me neither
his ancient source for this information, nor does he explain his assessment by
describing things Ariston did to win the love of his subjects. In fact, what he
does tell us about Ariston is that he tricked his best friend into giving up
his wife. That doesn’t sound like the kind of thing that would endear Ariston to his subjects. (Herodotus, who is the source for this tale, by the way, makes it
clear that it was against the will of both the husband – and erstwhile friend of
Ariston – and his wife.) In short, Bradford makes statements that are not
supported either sources or by his own argumentation.
I was also disappointed by the near absence of analysis, at
least in the early parts of the book. Again,
let me take a couple of examples. On
page 46, when describing the krypteia, he claims members “killed any helots
they found.” Now, finding helots was not very difficult since by all accounts
they vastly outnumbered the Spartiates, and they provided all menial labor to
the Spartan state. All the krypteia had
to do to “find” helots was sit down in the middle of any square or on the side
of any country road and wait for the helots to come by. Since, according to Bradford’s
account, they killed all the helots they “found,” the kypteia must have
slaughtered endlessly, year in and year out, generation for generation. So how did any helots survive to be the
servants and agricultural workers that Sparta needed? And who was left to work the
estates of the Spartiates dependent on their labor in order to be professional soldiers? Or, turning
to another example, on page 47 Bradford writes: “The Spartans were magnificent
specimens, men and women both, the most handsome people in Greece, with the
best-behaved children.” Really? All of
them? That’s hard to believe, but I suppose it is theoretically possible. But then Bradford continues: “They knew right
from wrong and they practiced honor without compromise.” That is little short
of amazing, but OK -- except that nine pages later Bradford writes that
“Chilon’s world was a world of injustice.” Hm. So suddenly, within a hundred years or so, by
Bradford’s own account, the Spartans have gone from being men who without
exception practiced honor without compromise and all knew right from wrong, to
a society full of injustice. How did that happen? Why? Again, I’m not saying
this is impossible, but I expect a historian who makes assertions such as these
to marshal his arguments and set them out coherently so the reader can follow
his logic and come to the same conclusion.
Finally, I found it disconcerting that sources were not
readily or consistently identified, even when direct quotes were made. With all
due understanding for the desire to avoid cluttering a popular history with a
lot of footnotes, I find the use of quotation marks or italics to indicate
direct speech without providing a reference on the source improper. Just to give one random example, in Chapter
16, Bradford uses quotation marks to indicate verbatim citation of a speaker in
no less than eight places, but provides sources for only two quotes in his
“Notes.” What about the others? Where did they come from and why didn’t they rate a
proper citation?
For all my complaints, I confess I liked the book, particularly the conclusion, and for young adults it may be a good introduction to Sparta. However, I would recommend W. G. Forrest's classic work "A History of Sparta: 950 - 192 BC" or Nigel Kennel's "Spartans: A New History" before Bradford to anyone with a serious interest in Spartan history.